What strikes me as most interesting is that, on his own, DeGraw comes off as a piano-man worshiping at the alter of Billy Joel and Elton John (especially on "You Know Where I'm At"). Not a bad well to draw from, and when it turns up songs like "Radiation" or "Soldier," worth the effort. On the more annoying and overworked "Candy," not so much. What I'd love to hear more of, though, is the solo DeDraw that sits behind his piano and lets loose with "Spell It Out," which does away with overproduction and just lets the man sing and play. My guess is DeGraw is too slick a salesman to want to be that exposed too often, but it's the highlight of an otherwise light pop album.
55/100
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