
Even after a few listens into Extraordinary Machine the musical paint quickly dries to reveal a thinly veiled cover-up job of a barrel load of average tunes done in a her now increasingly tepid and familiar style. Her familiar limited intonation, preferential treatment to the delicately played thunderous end of the piano and the stop/start song structure strain at the leash of niche appeal and look like a three trick waiflike pony. There is no defining feel (beyond the aforementioned clichés) or any notion of a diverse experimental record either; there’s just a lot of filler between the three great songs.
2 comments:
thank you i'll try
happy good (y)ear
happy to
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