The Ataris - Welcome The Night

Welcome the Night is The Ataris' fifth studio album & long delayed follow_up to the previous_release So Long, Astoria.


1. “The First Elegy”
2. “Begin Again from the Beginning”
3. “Cardiff-by-the-Sea”
4. “Secret Handshakes”
5. “When All Else Fails, It Fails”
6. “The Cheyenne Line”
7. “We All Become Smoke”
8. “Not capable of love”
9. “From the Last, Last Call”
10. “A Soundtrack for this Rainy Morning”
11. “New Year’s Day”
12. “Whatever Lies Will Help You Rest”
13. “The Ghost of Last December”
14. “Welcome the Night”
15. “Act Five, Scene Four; and So It Ends Like It Began”

Pavement - Wowee Zowee

year 95 review: Wowee Zowee is not without its faults, but it’s a delightful artifact. Sordid Sentinels excavates it and enhances it. Simply put, it's the reissue of the year, the third time that Pavement can flaunt such a claim. More importantly, it, in my mind, proves Pavement to be the unequivocal best band of the 90s. Not only did they release four great albums, but three of those have been reissued so extensively, carefully, and properly that they have rewritten the rules of how a band can be great, even after they have ceased to exist.

Ween - Craters Of The Sac

year 99 review: By 1993's major label debut Pure Guava, Ween had distilled their unique mix of eclectic pop and crazed humor to its essence. GodWeenSatan: The Oneness and The Pod were fascinating, but occasionally frustrating albums; at 19 songs, Pure Guava is more polished and concise, but it's still sprawling and occasionally sick, featuring the fuzzed-out "Touch My Tooter" and the five-minute noise-burst "Mourning Glory," a tale of pumpkin-smoking gone horribly awry. Though "I Play It Off Legit" -- a muttered conversation set to atmospheric keyboards -- and the rhythmic, bass-heavy "The Goin' Gets Tough From The Getgo" could have appeared on The Pod, most of Pure Guava's songs have a poppy, accessible sheen. Fragmented, distorted tracks like "Big Jilm," "Flies On My Dick" and the live favorite "Poop Ship Destroyer" benefit from the album's cleaner production, giddily mixing catchiness and silliness. If The Pod was influenced by the band's Scotchguard habit, Pure Guava sounds like it was recorded while Dean and Gene were huffing helium; it's fast, shiny and crisp, particularly on the hyper rant "Pumpin' 4 the Man" and the minor alternative rock hit "Push Th' Little Daisies." Ween's prog-rock fascination surfaces on "The Stallion, Pt. 3" and on "Don't Get 2 Close To My Fantasy," which sports wonderfully inane lyrics like "Stare into the lion's eyes / And if you taste the candy / You'll get to the surprise." In the midst of this weirdness, the sweet, seemingly genuine ballad "Sarah" feels like the album's strangest song. With Pure Guava, Ween moved away from the snippets of random craziness that defined their first two albums toward a more organized style. Considering Elektra released it, it's just as uncompromising as their previous work, but it hints at just how much further they could go with their music.