year 73 * Country Rock * Folk Rock |
review: In 1972, Roger McGuinn's final version of the Byrds unceremoniously broke up, but the following year the group briefly reunited -- surprisingly enough, with the classic original lineup of McGuinn, Gene Clark, Michael Clarke, David Crosby, and Chris Hillman. However, if most of the participants mea
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nt for this to be anything more than a one-shot get-together, you couldn't tell from listening to the resulting album;
Byrds never sounds much like a Byrds album, with McGuinn's chiming 12-string guitar and the group's striking harmonies (The Byrds' twin aural calling cards) largely absent, and much of the original material (especially David Crosby's) sounding like cast-offs from their other projects. And what sort of a Byrds album features two Neil Young covers and not a single Bob Dylan tune? In all fairness,
Byrds has its moments: Gene Clark's "Full Circle" and "Changing Heart" are great songs from the group's least-appreciated member, and McGuinn's "Born to Rock 'n' Roll" is a top-notch rock anthem. But for the most part,
Byrds sounds like a competent but unexciting country-rock band going through their paces, rather than the work of one of the best and most innovative American bands of the 1960s.
1 comments:
I agree with your comments. Other than the Gene Clark tunes, this is largely forgettable. I actually think the last Byrds McGuinn-led Byrds album "Farther Along" is much stronger.
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