FLY ME TO THE MOON
MINIT, 1968
Graduating from
songwriter/session
guitarist to solo artist,
Womack’s debut is a
genre-busting covers LP. From the killer
version of “California Dreamin’” to a
funkified makeover of “Moonlight In
Vermont”, the R’n’B arrangements,
warm horns and Womack’s gravelly
rasp make for a compelling blend.
Benjamin Booker - Benjamin Booker Review
Rating: 7/10 - Review: Young, New Orleansbased
singersongwriter’s
feral debut
Jack White likes
Benjamin Booker – and Benjamin Booker certainly returns the favour. He’s got the rasping voice (see “Slow Coming”), and the influences spanning Blind Willie Johnson to The Gun Club. He’s also got a respect for the duo format: as illustrated by the swaggering “Have You Seen My Son?” on which his sole accomplice, drummer Max Norton displays a wayward, hurtling sense of rhythm. There’s artifice in Booker’s make-up but the troubled, strutting loner, serving sizzling sides of electrified psyched-swamp blues, is a role he inhabits with conviction and aplomb. A name to watch.
Benjamin Booker – and Benjamin Booker certainly returns the favour. He’s got the rasping voice (see “Slow Coming”), and the influences spanning Blind Willie Johnson to The Gun Club. He’s also got a respect for the duo format: as illustrated by the swaggering “Have You Seen My Son?” on which his sole accomplice, drummer Max Norton displays a wayward, hurtling sense of rhythm. There’s artifice in Booker’s make-up but the troubled, strutting loner, serving sizzling sides of electrified psyched-swamp blues, is a role he inhabits with conviction and aplomb. A name to watch.
Bahamas - Bahamas Is Afie Review
Rating: 8/10 Review: Former Feist
collaborator unveils
mellow gold
“I’ve got all the time in
the world – don’t you want some of that?” asks
Afie Jurvanen four songs into his third album.
Like his pseudonym, it’s indicative of the
Toronto musician’s laidback, warm nature:
Bahamas Is Afie drifts effortlessly from such
easygoing, blue-eyed soul – also evident on the
brassy “Stronger Than That” – to autumnal
campfire acoustics, reminiscent of the work of
overlooked fellow Canuck Paul Hayden Desser.
Blessed by an amiably husky voice, Jurvanen
unfurls elegant melodies amid intelligent,
economical arrangements, with the delightfully
understated strings and flute of “Can’t Take
You With Me” a particularly tender highlight.