New York Dolls - Lipstick Killers

Genre New York Punk Proto Punk

year: 07 - review: Nine great songs, three of them covers, including the previously unavailable "Don't Mess With Cupid." If I knew no other versions, I'd recommend these 1972 demos, but as it is Johnny sounds tame, doomed drummer Billy Murcia halting, Arthur out of tune (shocking!), and David perhaps halfway to the wit and assurance that brought this great band together.

Cult - Ceremony

Genre Hard Rock

year: 91 - review: Things start off promisingly with the record's title track, which is quickly followed by a classic Cult single, "Wild Hearted Son." Unfortunately, what follows the stomp and chant of "Earth Mofo" are eight of the most contrived, lyrically mundane songs that the Cult ever released. Although noble in his intentions, Asbury's ongoing fascination with the plight of the Native American Indian accounts for the majority of the lyrical content of Ceremony. Another promising ballad-turn-rocker, "If" quickly evaporates into nowhere land as the song's main guitar riff sounds like a slower, recycled version of every bad generic AC/DC L.A. hair band. Sadly, as the ensuing tour rolled across the U.S., it was obvious that the Cult had lost their edge (they were upstaged nightly by a young, hungry artist named Lenny Kravitz). In the three years that would follow, Astbury would get clean, shave his head, and rekindle his desire to make records.

the Charlatans U.K. - Some Friendly

Genre Alternative Pop- Britpop

year: 90 -review: Historically, children, the organ has occasioned vague-outs and one-shots. Unless you count the Animals, which I don't advise, or the Zombies, where Rod Argent favored piano, the only '60s pop legends to feature one were the Small Faces, and not as a "trademark." When you record your "96 Tears," or even your "Itchycoo Park," call. "The Only One I Know" ain't bad and ain't it.

SuperTramp Classics Volume 9

Genre Album-Arena Rock Pop

review: Supertramp released two long-winded progressive rock albums before Miesegaes withdrew his support. With no money or fan base to speak of, the band was forced to redesign their sound.

Phil Collins - Face Value

year: 81 - review: This is a terrific addition to any Phil Collins collector. It gives fabulous insight into the production process and origins of the songs.

Johnny Rivers: Greatest Hits

info: Unlike many of the single-disc Johnny Rivers anthologies available, the Capitol edition of GREATEST HITS includes the original singles from Rivers' tenure at Liberty Records and his own imprint, Soul City. This 10-track compilation is a concise summation of his '60s hits, although '70s singles like "Slow Dancin' (Swayin' to the Music)" are, unfortunately, not included. All meat, no filler, this is good-time blue-eyed soul at its finest. Fans wanting a more substantial selection should try Rhino's 1991 two-disc set ANTHOLOGY.

Paula Cole - Harbinger

year: 95 - review: Her overlooked debut album, this collection of 14 meticulous songs, is a gem certianly. It demonstrates this nightingale's voice and talent. Songs that stand out include "Watch the Woman's Hands" and track 6

Sean Lennon - Into the Sun

year: 99 - review: Into the Sun is definitely an exploration of a variety of styles, and like his father, Sean isn't content to stay in one place for too long. For many, the result would be a scattered and uneven affair, but for the most part, Sean Lennon makes this diversity work to his advantage. The result is a cohesive and effective debut that should leave many fans eagerly anticipating his next effort.

the Beautiful South - Carry On Up The Charts

Genre Adult Alternative Rock

review: Collectors should note that some editions of the CD contain a 14 or 16 (depending on which one) track bonus disc assembled from the band's vast back catalogue of B-sides, including the brilliantly titled "Danielle Steele (The Enemy Within). download sendspace megashares megaupload

Pet Shop Boys – Beside

year: 07 - review: the Pet Shop Boys transcended the seeming disposability of their craft, offering wry and thoughtful cultural commentary communicated by the Morse code of au courant synth washes and drum-machine ..

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Gary Moore - Close as you Get

Genre Guitar Virtuoso Arena Rock

year: 2007 - review: Close As You Get is a collection of brilliant blues songs by Gary Moore. I think he’s in his prime as a player now, and the fact that he has chosen the blues as his actual calling seems to have put his mind and his playing into the right perspective. And as usual, especially since Still Got The Blues, his guitar tone is killer! Although he can play quite fast, he’s one of a unique breed of players who have proven that 'less is more'. Listening to a Gary Moore note soar is one of life’s joys.

Smashing Pumpkins - Mellon collie and the infinite Sadness

year: 95 - review: In between those two extremes lies an array of musical styles, drawing from rock, pop, folk, and classical. Some of the songs don't work as well as others, but Mellon Collie never seems to drag. Occasionally they fall flat on their face, but over the entire album, the Smashing Pumpkins prove that they are one of the more creative and consistent bands of the '90s.