John Mayer Trio - Try!

Genre
Pop Rock
adult alternative


year: 05 - review: I saw Jimi live as a teen, and SRV several times (Once at the same hall I saw Jimi) and as a professional guitarist, it's so refreshing to hear what John Mayer does with the inspiration he gets from these guitar greats. I thought John's earlier work was very good, and showed a variety of styles and textures he created on Room for Squares. But this live CD Try is right on the mark. He captures the fire of SRV's live sound, and recreates Jimi's "Wait Until Tomorrow" with flawless accuracy. Jimi would be well pleased with John's arrangement, and I will continue to listen and enjoy TRY, and hope for another installment from the John Mayer Trio. I'd have to write another review to say how much I liked the work of Steve Jordan (drums) and Pino Palladino (bass), but they're probably the tightest trio I've heard since SRV and Double Trouble. Nice work gentlemen

Steve Miller Band - Greatest Hits

review: The most popular form of Steve Miller ingestion nowadays is his Greatest Hits 1974-78, which has also sold many millions of copies in both LP and CD form. While not a bad-sounding CD, there's certainly room for improvement. DCC has been releasing hits collections from a number of popular artists the last few years, and in addition to sounding better, they usually include extra material not available in the regular release.

Depeche Mode - Black Celebration


year: 07 - review: Most people are confused by the electronic means of this music, but they are definately artists. Expressionists of the late 20th century. No other artist within 200 years has been so direct and intelligently emotional expressing things that we all could go through. Daily life. Maybe in 200 years they will see.

Leonard Cohen - Songs of Love and Hate

year: 07 - review: Cohen always remains keenly aware that pop’s charm lies in its utility. Humming, wordless singing, and muffled, echoing voices haunt each of these albums, often functioning as cathartic finales to disturbing songs (as in “Sing Another Song, Boys” and “One of Us Cannot Be Wrong”). He anticipates that his melodies will live on, with only a fragment of their content intact, in the minds of his listeners. He also suggests that a song’s true emotional impact rests not on its words, but on more primal, sublinguistic forces. I won’t disagree. Sometimes a drunken chorus of “la”s voices a feeling more eloquently and intelligently than an epic simile. And perhaps this is why Cohen’s own charms cannot be fully explained by generations of otherwise articulate scribes. At the end of the day, early Cohen is gut music.

Santana - Kings Of World Music

Genre
Latin rock
Psychedelic


: Santana is the primary exponent of Latin-tinged rock, particularly due to its combination of Latin percussion (congas, timbales, etc.) with bandleader Carlos Santana's distinctive, high-pitched lead guitar playing. The group was the last major act to emerge from the psychedelic San Francisco music scene of the 1960s and it enjoyed massive success at the end of the decade and into the early '70s.

Eurythmics - Ultimate Collection

Genre
Synth Pop
Pop rock
New Wave


info: By the mid-'80s, singles like "Sweet Dreams (Are Made of This)" and "Here Comes the Rain Again" had made the group into international stars, and the group had begun to experiment with their sound, delving into soul and R&B.

Beach Boys - the Warmth of the Sun


Genre
Sunshine Pop
Surf Pop soft Rock


year: 07 - info: The Beach Boys: Al Jardine, Mike Love, Blondie Chaplin, Brian Wilson , Bruce Johnston, Carl Wilson (vocals); David Marks, Dennis Wilson, Ricky Fataar. Recording information: 1962 - 1986.

Supergrass Live Brazil

Genre
Britpop
Alternative Pop Rock


year: 06 - bio: Like many other British bands of the '90s, Supergrass' musical roots lie in the infectiously catchy punk-pop of the Buzzcocks and the Jam, as well as the post-punk pop of Madness and the traditional Brit-pop of the Kinks and Small Faces. Perhaps because of its age -- two of the trio were still in their teens when they recorded their debut single -- the band also brings in elements of decidedly unhip groups like Elton John, as well as classic rockers like David Bowie, the Beatles, and the Rolling Stones. With an exuberant, youthful enthusiasm, Supergrass tied all of their influences together in new surprising ways, where a Buzzcocks...

Jeff Buckley - So Real, Songs From

year: 07 - review: Among the legions of rockers who died way too young--including Jeff Buckley's father, Tim--few have approached the artistic range and seemingly limitless potential on display here. In the decade since Buckley's death, there has been such a flood of posthumous releases that it might be hard to remember that he issued only a four-cut live EP and a studio debut album while he was alive. This anthology serves as an effective introduction for the initiate, showing how Buckley could rock with the slash-and-burn intensity of Led Zeppelin on "Eternal Life (Road Version)," turn rapturous with the reverie of "Lover, You Should've Come Ove," and cover the likes of Edith Piaf ("Je N'en Connais Pas La Fin") and Leonard Cohen (his by now iconic transformation of "Hallelujah"). Completists will need this for the live versions of "So Real" and the Smiths' "I Know It's Over," previously unreleased commercially. Whether Buckley would ever have been able to balance the control that mature artistry requires and the ecstatic abandon that distinguished him, such raw talent continues to startle.

Paramore - Riot

Genre
Emo / punk


year: 07 - info: Opening Williams' 13-year-old eyes to the likes of U2, the Cure, Sparta, and Failure, the teenagers began performing together under the name Paramore following the addition of Jason Bynum on rhythm guitar and Jeremy Davis on bass. Local hangouts and a school talent show helped the young bandmembers hone their chops before at last moving up to gigs at area rock clubs. .

Tommy Shaw - What If


Genre
Album Rock


year: 85 - review: Shaw's second album explores more lyrical territory than his debut, including songs about alcoholism and anticipation of nuclear war. Like the first album, however, the songwriting, while good, does not live up to his prior work with Styx.

Steppenwolf vs Deep Purple


German immigrant Kay got his professional start in a bluesy Toronto band called Sparrow, recording for Columbia in 1966. After SparrowKay relocated to the West Coast and formed Steppenwolf, named after the Herman Hesse novel. " disbanded,
Deep Purple was formed in Hertford, England, in 1968, with an inaugural lineup that featured guitarist Blackmore, vocalist Rod Evans, bassist Nick Simper, keyboardist Jon Lord, and drummer Ian Paice. Initially dubbed Roundabout..

Ocean's Thirteen Soundtracks

info: The critically acclaimed soundtrack albums for both movies won BMI Film Music Awards for inventive techno-funk composer David Holmes. Both on screen and on album, Ocean's Thirteen epitomizes the cinema of cool.