That's not to say he simply parrots SAT words one after the other but there's a careful, poetic quality (screamo) to his words that seems to extend far beyond his years. As if that weren't enough, (cathartic) Kensrue puts forth a vocal effort that is both singular and powerful. on 'Disarmed' he croons and moves softly through watery moments while on 'Blur' he manages to unleash some of the buzz-saw ferocity that helped put Thrice on the map years ago. While Kensrue is arguably the greatest (confrontational) front man in modern rock, 'Major/Minor' does not solely belong to him. Teppei Teranishi has come a long way from post-hardcore (aggressive) shredding and he drives that point home on gems like (rousing) 'Treading Paper' and 'Call it in the Air'. His playing is calculated & is less about mach 3 soloing than crafting ambient, mood inducing leads.
